Blog posts about photogrammetry and the creation of displacement textures out of scanned geometries.
Hello again and welcome back!
This week, we are going to talk about shooting at our target – be it a model, a patch of terrain or whatever you fancy. The post, albeit not very lengthy, is going to be a part of three short entries regarding how to shoot, process and bring into our modelling program the geometry we want to work with. Let’s begin!
Hello once again! It’s time to get started with our photogrammetry project, and we’ll do so by taking our first pictures. But this time it’s not going to be about capturing the detail of the objects we want to scan – not yet. Instead, we are going to capture light!
Good day once again!
After having seen what the Real Displacement Textures are all about, it is time for us to see how we can actually make them. Going from taking hundreds of pictures to the creation of the actual textures is a long and sometimes complicated process, so it’s good to know what lies ahead.
When working with daily life scenarios, it’s easy to forget how complex our environments usually are. Maybe it’s something that isn’t as noticeable in a city setting, but whenever we roam outside in the countryside we can inmediately find all sorts of different landscapes composed of a million different elements. To recreate them, we have usually simplified them or focused our attention on the parts that were easier to depict.
Brais Brenlla 